(75 - 80)
Dao
love gloom and the beauty of huge masses of worked stone. They like sculpture
but loath painting and fresco’s, as well as any material that pretends to be
what it is not. They can tunnel through both stone and soil but not worked stone. The greater the mass of
masonry around them, the safer they feel (from other Dao).
The
least of the Dao has the capacity to match the greatest of human architects.
Yet they belong to an aristocratic culture that denigrates useful work. Any Dao
that built their own maze would be mocked by others. The building must be done
by slaves. Status can only be displayed through non-functional work.
Dao are
the only monster pleased to see you pass through their dungeon, they rarely get
the chance to question anyone about its effectiveness. They may request ideas
from you* for improving the dungeon you just got through to meet them. The
mazeworks are like riddles, if everyone can understand them then they are
worthless, if no-one can then the same is true. Only the right kind
of person can pass through.
Two
schools of architecture exist. The first, Umbral, regards the placement of
massy shadows of prime importance and arranges all stonework to produce precise
gradations of shadow and depth.
The
second, the Lithic, regards the placement of shadowed mass to be the true path
to beauty and arranges all shadows to highlight masses and arrangements of
stone.
Few
but the Dao can tell the difference between the two schools, though they loath
each other.
“You
may call me..”
“The”
|
“Of”
|
|
1
|
Shaker
of
|
All
Knowledge
|
2
|
Omnipotent
Dream
|
The
Quaking Earth
|
3
|
Timeless
Lumitor
|
Sleeping
Stone
|
4
|
Prince
Tectonic
|
Continental
Grind
|
5
|
Lord
Sedimentary
|
The
Flawless Fault
|
6
|
Igneous
Composer
|
The
Mountains Heart
|
Amusements
of the Dao
1.
Smashing in thier vaulted roof, slowing it in time, having chained-up poets
scribe the falling stone.
2.
Naked girls in golden cages locked 1001 times. Each good story earns a key.
3. Tattooing
children’s backs with idle thoughts, making them run around till sentences
form.
4.
Collected court of clerics of each god, Dao converts to new religion every
hour.
5.
Archean orchestra on toxic instruments, so slow it plays one note each hour.
6.
Forcing scholars to debate the merits of a grain of sand. Winner rewarded,
loser killed.
Opulence
of the Dao
1.
Slaves wave slow pennants of black velvet in their shadowed wake to intensify their
gloomy majesty.
2.
Kebabs on silver skewers which they use to pick their teeth, then throw away.
3. A
ticking harem of clockwork courtesans in polished ebony and blazing gold.
4.
Evert stone and tool and fold of cloth enchanted to whisper their praises with
each move, the air fills with a susurrus of quiet adoration.
5. Zoo
of surface animals kept petrified when not in use. Awakened and re-petrified
with insanely expensive potions sprayed from golden tubes.
6.
Lamps are petty elementals bound in silvered skulls of elves.
In their
endlessly-rebuilt palaces deep beneath the earth, the Dao are often troubled by
strange dreams. Explaining the troubling dream in an effective way, without inadvertently
insulting the Dao, can vastly raise you in their esteem
Strange
Dreams Of The Dao
1. “I
stand upon a yellow shore. A silver ship burns. A survivor turns to me and
smiles. ‘Is this ever acceptable?’ he asks.”
2. “I
am a Lion (which I know is good) and eat a ghoul (which is bad). I taste
cinnamon and sleep for seven days.”
3. “A
city of glass and shadow. I wait. The dawn comes, but not the dawn star. Why?”
4. “I
am speaking to a giant that crawls around my house tying knots in my columns
and doors, the giant whispers names I cannot hear.”
5. “I crystallise,
memoryless, in the magma chamber under the hill. It will not let me out.”
6. “I
am a souk in the City of Brass, merchants trade in my veins, thieving children
run across my golden heart, yet I protect them.”
Intervening
in the murderous and easily-triggered rages of the Dao can be deadly, so can
not intervening in them.
Petulant
Rages of the Dao
1.
Constructions of anything but stone. The existence of ‘plaster’ and ‘wall-paper’
Dao has never seen them but hates them.
2. “There
is a forged coin somewhere in this room. Find it! By the stones of the abyss
you will bleed fire till it is found!”
3. “You
Efreeti Fuck!” Dao thinks the fire in a lamp is laughing at them. Hunts and
smashes lamps, lights and flames till it is found.
4. Dao
convinced reflection in a particular pearl exhibits a single flaw. Curses
pearls, casts them aside then hunts through them, demands larger and larger
pearls.
5. Dao
stricken by violent self-loathing over inferiority of own mazework. Belives
counter-arguments proof of secret contempt.
6. Universal
and malignant incompetence of inferiors. Demands your agreement then turns on
you. Demands agreement of others re – your worthlessness, then turns on them.
Dao
wear rings of iron with a high level adventurer bound within each one for a
certain number of services. This is the prison of the Dao. The captives age
slowly in the iron cells inside the ring and may die of old age before their deeds
are done.
They
love beauty but only bound. Free beauty is nothing to them, but lock it in an
object or trade it as a service and they love it.
Treasures
Traded by the Dao
1. An
iron ring that holds a hero’s soul. Bound for seven services.
2. A
pet fire elemental which will serve you so long as its golden chain is linked.
3. An
eye of Lapis Lazuli which terrifies the spirits of the earth. (Must remove own
eye first.)
4. A
functioning phylactery which you may bind to you with blood.
5. A
Serpentinite torc that becomes a venom’d sword at your command.
6. On
a book of sliver-thin slate, the means to make golems of stone.
And
Their Demands
1. “Illithid-blood
ink for my poetry, and quickly, before the muse passes!”
2. “My
weight in gold, or holy bone, or both.”
3.
Delivery of this (sexually degrading) letter to a Medusa, and its reply.
4. “A powerful
cleric of Lloth, alive and willing. I have questions.”
5. “I
owe a Knotsman, this offends me. Have him forgive the debt.”
6. “Kill
this Efreeti that mocks me so I might etch poems on his burning heart.”
*Often with a multiple choice form
*Often with a multiple choice form
They may request ideas form you for improving the dungeon you just got through to meet them.
ReplyDeleteI assume this is a typo, but perhaps they do hand over a slate and chalk with a set of questions about their experience in the maze...