Before it was an Empire, the Court was a Kingdom, an
Ideal, a warren of rooms in the Crypt of an unbuilt Cathedral, and before that,
a room, panelled in Amber, the birth point of the concept, and the conspiracy
which begat that strange devising.
"What is known was once
suspected, and what suspected was once known." - Kausker Wood.
Yet this we think we know; K-----1 the Duke of
Lataam, possessed a chamber2 panelled in amber, and it was here,
shortly after the 'Miracle of Hoögst' that the first secret meetings3
were held, and the germination of the Amber4 Court began.
Apocryphal image of the Amber Court in its Late Period
From 'In the Memories of Stars'
1. On
Redactions
Mind-plague and Cursethought still hover round the record
of these times, especially of the later wars of the Amber Court, the Otherworld
Wars and the Red Shift, such that only the most pure of our order are permitted
to read, write or even consider these matters. The more conservative amongst my
order would happily launch a Mnemarchy Crusade to conceal or destroy all
records - so greatly do they fear the contagious notions, the "vermin
tales", of the Red Shift - that they may spill over, hide themselves in
nearby concepts and thereby slowly and subtly re-infect the Lords Causality.
Here no such redaction has been made. The son of Duke
K----- of Lataam, he who would become "The King Beneath the
Mountain", "The Twice-Redacted King" and "Lord of the Amber
Court", possessed such power over the Lords Causality that, along with
many of the higher-ranked members of the Amber Court itself, his name may not
be directly written, remembered or considered. This enchantment, or
alteration, was, and is, so powerful that it has overflowed even to the
identities of that individuals parents and nearby relatives. All we can say of
Duke K---- was that his name began with K. His name is written in some of our
records but neither I nor any conscious being may read or comprehend it.
2. On
The Chamber
A room in the
Ducal palace or fortress of Lataam panelled in amber and fossils. A twin-walled
room, silent due to its inner amber walls, paved with polished trilobites.
Servants and guards moved behind the amber panels, in the space between the
walls bearing lamps.
The shadows of strange insects, curls and spatters of
ancient catastrophe and that of one creature something like a mouse, along with
the warping and shifting of light as it smoked, more than shone, through the
wavelike thickness of the amber walls
and was refracted through the carvings, passed across their features of those
who met within. Both the sound and nature of the occupants was disguised. The
vague shape - but not identity, of those within could be perceived, and nothing
heard.
3. On
The Meetings
One door lead to the dukes apartments and the other to
the hedge maze in the garden - a petty labyrinth - but many early meetings were
held during parties and gatherings and being "lost in the maze" was
sufficient reason to excuse an absence. The great variety of guests and the
double-disguise of a masked ball, along with the covering social camouflage of
a hist of petty intrigues, clearly sufficed to disguise both the participants,
and even the very existence of the meetings themselves.
4. On Amber
The room was an assembled treasure of the Dutchy of
Lataam - partly inherited from the lost Dutchy of Latöm - partly received in dowry
on the marriage of Lady Z----- of Frost to Duke K-----. Duke K----- dedicated
himself to collecting such amber treasures for much of his life, finally
completing the room roughly 15 years before his death.
Born of strange places were they, torn from seams and
tipped from fossilised trees on shores left bare by suboceanic shock. The
treasures of tribal kings, smoke-stained, ancient even to them. The amber
panels dated from many ages and even the panels themselves were composite
elements of a composite room.
Duke K----- allowed re-carving for a more coherent whole.
The leering, primitive ancient carvings of the amber mixed and jumbled,
overwritten with the forms and shapes of many faces. The ghosts of those
primeval forms remained hidden in the shifting yellow light, waiting only the
just-so crossing beams to reveal themselves again, and beneath these
overwritten patterns watched the still-more ancient emissaries of deep time -
the only witnesses to a new era of hope and fear.
I like the idea of Mnearch Crusade. Something about the footnotes being longer then the main text reminds me of House of Leaves, in a good way
ReplyDeleteLutyens's design for Liverpool Metropolitan Cathedral?
ReplyDeleteYeess correct
DeleteNow I am very curious about "The Twice-Redacted King".
ReplyDeleteAlso like very much big footnotes, because then I can go and re-read the initial sentence with somewhat different understanding.